There’s No Place Like Broadway: Revival of ‘The Wiz’ Arrives at a Busy Time for Musical Theater
Part of what makes this ‘Wiz’ appealing, especially right now, is that it doesn’t ask you to admire its social relevance — which was considerable when it had its premiere five decades ago.

With the deadline for Tony Award nominations fast approaching, ambitious new Broadway musicals are springing up like mushrooms. This month’s crop would appear to have a feminist slant, as represented by the recent and imminent openings of “Lempicka” and the Public Theater-bred transfers “Suffs” and “Hell’s Kitchen.”
There will likely be less competition for best revival of a musical this year: Maria Friedman’s extraordinary take on “Merrily We Roll Along” has pretty much had that trophy wrapped up since arriving last fall, also after a downtown run. So there’s rather less pressure on a charming new production of an old classic that, not unlike the first trio of shows mentioned here, follows a female protagonist with a dream, and the resilience to see it through repeated obstacles.
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