Unfortunately, the director has allowed his whimsical and wacky flourishes to overwhelm the content; that’s until the final scenes, which all but undermine the proposal that this is ultimately a funny, happy piece.
Artemisia Gentileschi learned from Caravaggio that paintings could happen at night, action disclosed by candlelight.
Written by a married couple for a fictional married couple, the dialogue in the films is as pithy as anything by Hemingway and as skillfully crafted as the best of P.G. Wodehouse’s bon-mots.
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