
Sun-Drenched ‘Islands’ Subverts Film Noir Conventions To Explore Desolation and Destiny
As well as being a psychological thriller and meditation on fate, the film by director Jan-Ole Gerster is something of a love story.
By CARLOS SOUSA
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As well as being a psychological thriller and meditation on fate, the film by director Jan-Ole Gerster is something of a love story.
By CARLOS SOUSA
|
The author argues that modern presidents would do well to heed the lessons of the past and adopt a new, chastened view of America’s role in the world.
By CARL ROLLYSON
|In chronicling the Mississippi city’s lucrative tourism business, director Suzannah Herbert shows how tours of elegant plantation homes clash with what we know of history.
By CARLOS SOUSA
|
‘The Voice of Hind Rajab’ and ‘Palestine 36’ collect awards and standing ovations while critics say they strip away essential context.
By NOVI ZHUKOVSKY
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Despite two sold-out runs in London, elements of Joe White’s award-nominated play are at times more irritating than cathartic.
By ELYSA GARDNER
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The 20th century’s most intimidating novel is adapted — and cut — for a 21st century audience.
By A.R. HOFFMAN
|
As well as being a psychological thriller and meditation on fate, the film by director Jan-Ole Gerster is something of a love story.
By CARLOS SOUSA
|
The author argues that modern presidents would do well to heed the lessons of the past and adopt a new, chastened view of America’s role in the world.
By CARL ROLLYSON
|
In chronicling the Mississippi city’s lucrative tourism business, director Suzannah Herbert shows how tours of elegant plantation homes clash with what we know of history.
By CARLOS SOUSA
|
‘The Voice of Hind Rajab’ and ‘Palestine 36’ collect awards and standing ovations while critics say they strip away essential context.
By NOVI ZHUKOVSKY
|
Despite two sold-out runs in London, elements of Joe White’s award-nominated play are at times more irritating than cathartic.
By ELYSA GARDNER
|
The 20th century’s most intimidating novel is adapted — and cut — for a 21st century audience.
By A.R. HOFFMAN
|