
‘Schmigadoon!’ Gleefully Sends Up Broadway Classics, but Soon Runs Out of Gas
The new musical, adapted from the Apple TV series, is gamely executed but overstays its welcome.
By ELYSA GARDNER
||Culture

Ms. Gardner has written about theater and music for The New York Times, The Village Voice, Town and Country, Time Out New York, Entertainment Weekly and other publications. She is a board member of the Drama Desk and has served on the jury for the Pulitzer Prize for drama twice, most recently as chair.

The new musical, adapted from the Apple TV series, is gamely executed but overstays its welcome.
By ELYSA GARDNER
||Culture

Rose Byrne and Kelli O’Hara supply plenty of fizz in a sparkling revival of a quaint comedy of manners.
By ELYSA GARDNER
||Culture

The first major revival of the late Tom Noonan’s play about a first date in New York boasts winning performances from Cecily Strong and Corey Stoll.
By ELYSA GARDNER
||Culture

A new Broadway revival of David Auburn’s mathematics play adds up to being more a competent production than a relevatory one.
By ELYSA GARDNER
||Culture

Lindsey Ferrentino’s play recounts the true story of Nick Yarris, a convicted murderer, who was exonerated by DNA testing.
By ELYSA GARDNER
||Culture

‘The Adding Machine,’ which premiered on Broadway in 1923, has lost none of its sting.
By ELYSA GARDNER
||Culture

‘Titaníque’ sends up a wide range of cultural sources, most notably the 1997 blockbuster film ‘Titanic,’ but the jokes consistently sink.
By ELYSA GARDNER
||Culture

Mark O’Rowe’s Irish import will stay with you longer than most other productions this theater season.
By ELYSA GARDNER
||Culture

The Lomans forge a tender bond in Arthur Miller’s familiar tale of failure to achieve, and being failed by, the American dream
By ELYSA GARDNER
||Culture

An interminable Broadway hit of yesteryear receives a joyous contemporary makeover.
By ELYSA GARDNER
||Culture

Powered by Rebecca De Mornay, ‘The Pushover’ makes up in humor and mischief what it lacks in depth.
By ELYSA GARDNER
||Culture

The title character, played by Madeline Brewer, is humorous and horrible while Alden Ehrenreich’s Max brings to mind a more vulnerable Tucker Carlson.
By ELYSA GARDNER
||Culture