French director François Ozon tasked cinematographer Manu Dacosse to watch a specific set of films before they started work on “The Crime Is Mine.” These included pictures by Sacha Guitry, a multi-faceted talent referred to by the Criterion Collection as the “Gallic Noël Coward,” and Ernst Lubitsch, the auteur behind sparkling entertainments like “Trouble in Paradise” and “Design for Living,” both from 1932.