Mr. Naves is an artist, teacher, and critic based in New York City. His…
Bruckman made a significant contribution to Keaton’s output during the 1920s and co-directed what is considered not only the comedian’s finest film, but one of the greatest films extant, ‘The General’ (1926).
The director, who set out to highlight the lives of women in a culture dominated by men, notes that she ‘never meant to make a film that documented war, displacement, and ethnic cleansing.’
Working with cinematographer Ranabir Das, Kapadia traverses Mumbai’s byways with an ethnographic eye, crafting a free-ranging tale of hard-scrabble lives that has been recognized for its focus on ‘subjects related to the female world.’
Notwithstanding its moralistic add-ons, flagrant comic touches, and dated character types, ‘Scarface’ retains its brute primacy, an explosive sense of oncoming disaster, and inevitable comeuppance.
When we meet Nathan Hilu, the nonagenarian artist is drawing, scribbling, cutting, pasting, and writing about the time he spent at Nuremberg. A lively raconteur, he rattles off his adventures with a ragged and often salty esprit.
‘Laurel and Hardy: Year Two’ includes 10 comedy shorts of varying quality, each of which runs about 20 minutes in length. Even the best are loose-limbed, ramshackle, on-the-fly efforts.
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