Mary Cassatt, Once Seen as Peripheral, Looks Increasingly Like a Central Figure in the Impressionist Movement

Cassatt may be rightly celebrated as the genius of female domesticity, but, as an upcoming show at the Philadelphia Museum of Art underscores, her entire career was a feminist endeavor.

National Gallery of Art, Washington, D.C. via Wikimedia Commons
Mary Cassatt, 'Little Girl in a Blue Armchair,' 1878. Oil on canvas, 35 in. × 50.6 in. National Gallery of Art, Washington, D.C. via Wikimedia Commons

Mary Cassatt has been mostly remembered as the master of domestic scenes between mothers and children, an American painter loosely affiliated with the French Impressionists. Closer scrutiny to her story, however, is making it clear that she was much more than a peripheral figure. 

Have an account? Log In

To continue reading, please select:

Limited Access

Enter your email to read for FREE

Get 1 FREE article

Continue with
or
Unlimited Access

Join the Sun for a PENNY A DAY

$0.01/day for 60 days

Cancel anytime

100% ad free experience

Unlimited article and commenting access

Full annual dues ($120) billed after 60 days

By continuing you agree to our
Privacy Policy and Terms of Service.
Advertisement
The New York Sun

© 2025 The New York Sun Company, LLC. All rights reserved.

Use of this site constitutes acceptance of our Terms of Use and Privacy Policy. The material on this site is protected by copyright law and may not be reproduced, distributed, transmitted, cached or otherwise used.

The New York Sun

Sign in or  Create a free account

or
By continuing you agree to our Privacy Policy and Terms of Use