Mr. Jager is an arts and culture writer. He received his doctorate in…
The intent of the artist, the framing of the image, and the hand holding the brush are the biggest determinants of what is ‘seen.’
If a murdered mobster was slumped and bleeding over his linguine, the pioneering crime scene photographer was there minutes later, camera in hand.
Condo has long been adept at taking the visual vocabulary of high modernism and straining them, violently or hilariously, through a contemporary lens.
The painter thrived due to his aspirational classicism, a hazily reconstructed, quasi-historical Hellenism strained through the sensibility of Cecil B. DeMille.
A painter of still lifes of such exquisite refinement and subtle palette that to look at them too quickly is to miss them.
The results are interesting, when they aren’t too clever by half.
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