It’s a good time to be Lea Michele, again. For those who haven’t followed her saga, the singer and actress broke through as a star of the original Broadway production of “Spring Awakening” in 2006 and then gained wider exposure on the television series “Glee.” Two years ago, she was declared toxic after a cast member on the latter program accused her of committing — wait for it — “traumatic microaggressions” in their working relationship.

The inevitable pile-on followed, with others coming forward to speak their truths, in the modern parlance, about Ms. Michele’s supposedly diva-like behavior. By the time it was announced last year that the first-ever revival of “Funny Girl” would not star Ms. Michele — who had openly coveted the role of Fanny Brice, and on “Glee” had even been cast in a fictional Broadway production — the schadenfreude had metastasized to the point that social media addicts who had never been in the same room with the performer were doing virtual cartwheels.