Give ‘The Cottage’ a Bit of Rope and It’ll Likely Pull You In
While Sandy Rustin’s play could have worked well enough as a one-act lark, its second act offers both richer comedic nuggets and an unexpected payoff.

Like people, plays or films can sometimes show more substance than they suggest on a first impression. Take Broadway’s newest comedy, “The Cottage,” which focuses on a string of adulterous affairs disclosed on an early summer day in 1923, in the English countryside.
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