“Immersive” is a word many of us have come to hold in suspicion as it has increasingly become a marker of overkill, as if the arts were somehow in need of multimedia sensationalism as a means of reaching the tired, the poor, and the huddled masses. Has the human species become so addled by the technological industrial complex that we’re unable to appreciate the qualities of a book or a painting or a movie without the attendant “interactive” foofaraw?