Director Leslie Buchbinder Pulls Off a 3-D Documentary About a Little-Known Artist

The idea does make sense: H.C. Westermann wasn’t only three-dimensional but kaleidoscopic, a cigar-chomping contrarian with an aesthete’s taste for form and a carpenter’s love of a finely grained chunk of wood.

Via Pentimenti
Scene from 'Westermann: Memorial to the Idea of Man If He Was an Idea.' Via Pentimenti

The true star of “Westermann: Memorial to the Idea of Man If He Was an Idea” is not its subject, the artist H.C. Westermann (1922-81), but its director, Leslie Buchbinder. A writer, director, and producer based at Chicago, Ms. Buchbinder got it into her head to make a 3-D documentary. 

As a genre, it’s not unheard of, but such an endeavor is typically devoted to the far reaches of the cosmos, the depths of the earth, or the sweep of the oceans — arenas in which space is paramount. But a stereoscopic picture devoted to an ornery sculptor whose work is, by and large, the purview of specialists? Either the director doesn’t know her limitations or she’s given to quixotic ventures.

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