Comparing ‘Anchorage’ to ‘Easy Rider,’ While Obvious, Is Unfair
The straggly picture Scott Monahan and Dakota Loesch have concocted is infinitely more coherent than Dennis Hopper’s flat-footed icon of 1960s hedonism. Admittedly, sometimes it’s just as indulgent.
More decades ago than I would like to remember, I attended a lecture at the University of Baltimore given by John Waters, the cut-rate visionary behind such testaments to kitsch as “Pink Flamingos,” “Hair Spray,” and “Polyester.”
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