‘Peerless’ Reaches Back Even While Proving Prescient

A few years after playwright Jiehae Park wrote her piece modeled on ‘MacBeth,’ the most notorious college admissions scandal of our time would captivate the news cycle.

James Leynse
Sasha Diamond and Shannon Tyo in ‘Peerless.’ James Leynse

As the curtain rises on Primary Stages’s production of “Peerless,” a college acceptance letter drops from the ceiling, landing in the center of the stage with a smack, like divine intervention — or a bomb — setting the play into motion. 

Playwright Jiehae Park was in residence at the MacDowell Colony when inspiration struck while on a tight deadline for another project. “Late one night, I thought about ‘Macbeth,’” she said in conversation with dramaturg Amy Boratko. “Whenever I read or see that play, I always get bored after Lady Macbeth leaves. What compels me the most about Shakespeare’s play is the relationship between Lady Macbeth and Macbeth. So, I thought, what if Macbeth and Lady Macbeth were two Asian-American twin girls?”

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