Lois Dodd and Jake Berthot are two painters who respond to landscape within what could be deemed American traditions. Neither would mind being called maverick in terms of individualism or a willingness to buck trends. And each in his or her way could be called conservative, painting rural places in which they live and work, drawing on forms that elicit warm feelings of comfort and familiarity. And yet they look like — indeed are — fundamentally different kinds of artists.