A Trilogy of Movie Misery
This article is from the archive of The New York Sun before the launch of its new website in 2022. The Sun has neither altered nor updated such articles but will seek to correct any errors, mis-categorizations or other problems introduced during transfer.
CANNES, France – There was no film I anticipated more at Cannes than Atom Egoyan’s “Where the Truth Lies,” stirred up as I was by the director’s own description: “‘Mulholland Drive’ meets ‘Marnie.'” Although I admire “Calendar” (1993) and “Exotica” (1994).
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