Curators Giving the Cold Shoulder? Try an Art Coach

This article is from the archive of The New York Sun before the launch of its new website in 2022. The Sun has neither altered nor updated such articles but will seek to correct any errors, mis-categorizations or other problems introduced during transfer.

The New York Sun

The Whitney Biennial can give artists’ careers a boost, but it rarely gives them an entire secondary business. Such was the case, however, for Brainard Carey. A New York artist, one half of the installation duo Praxis, Mr. Carey first showed at the Biennial in 2002.

“Artists started coming to me after that show,” he said, “asking how I got such a coveted invitation. They’re hungry for that kind of information. I had been, too,” Mr. Carey admitted. Information, he knew, was sparse. “I’d found that other artists and would-be mentors held their cards close to their chests, as if telling me their strategies would somehow diminish or ruin what they had. After a while, I thought, ‘Why not advise in a more official way?'”

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