Mr. Friedwald writes about music and popular culture for The New York Sun and…
Axelrod’s new album, ‘A Place For Us: A Celebration of Jewish Broadway,’ focuses on how songs like ‘Somewhere’ have become signifiers of Jewish vitality and resilience.
Mulligan once raised the idea of programming a season ‘where we just take all the segregation out of it, and just play the music the way we envisioned it when we were playing it.’
The Glass Trio draws on music from both sides of the aisle, as they say in Congress, and approaches all of these works on a level playing field, without any kind of inherent bias.
The album, ‘Love Like Ours,’ is a series of encounters between Bertoncini and vibraphonist Mike Mainieri, trumpeter Terrel Stafford, violinist Sara Caswell, and drummer Jeff Hamilton.
Yet the program is hardly a concession to commercialism: The main program’s songs are mostly by cutting edge jazz composers of the 1970s.
The central tent pole has long been the Association of Performing Arts Presenters conference. In the post-pandemic period, the major industry event is Jazz Congress.
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