CARLOS SOUSA

CARLOS SOUSA

New York, New York
Carlos Sousa is a Movie Reviewer for The New York Sun.

Mr. Sousa has written marketing content for publications, websites, and…

Latest Articles

Culture

Mel Gibson Glides ‘Flight Risk’ Into Enjoyable, B-Movie Territory

Its modesty comes across refreshingly, especially when compared with some of the other films Gibson has directed, epics like ‘Braveheart,’ ‘The Passion of the Christ,’ and ‘Apocalypto.’

Via Lionsgate
Culture

Brazilian Film ‘I’m Still Here’ Features a Great Performance but Little Else To Latch Onto

The film ultimately fails to turn the tragic tale of the Paiva family into vital storytelling, such as would make us feel the shock of a family robbed of its innocence and a country stained by political violence.

Adrian Teijido. via Sony Pictures Classics
Culture

With Help From Marianne Jean-Baptiste, Director Mike Leigh Delivers Devastating ‘Hard Truths’

A bit of a comedy but more of a drama, the venerable English director’s latest is filled with uncomfortable moments and a wholly compelling, even riveting, exploration of mental and social deterioration.

Via Simon Mein, Copyright Thin Man Films Ltd.
Culture

‘The Damned’ Rejects the War Movie Template in Favor of a More Ruminative Route

As the dialogue is mostly improvised, the Italian-born director, Roberto Minervini, has said that he chose his cast members not only for their acting skills but for their ‘intellectual abilities.’

Via Grasshopper Film
Culture

The Year’s Most Ambitious Movie, ‘The Brutalist,’ Is a Monument to Art, Perseverance, and Legacy

The drama clocks in at more than three and a half hours, with a 15-minute intermission for viewers who could use a break from the cinematic largesse.

Lol Crawley, via A24
Culture

A Game Pamela Anderson Can’t Save Director Gia Coppola’s ‘The Last Showgirl’

Kudos must go to Anderson for playing a character who at times is selfish and delusional, though she isn’t so much complicated as naive.

Via Roadside Attractions
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