
A Quintessential Dickensian Character Who Fled the Nazis To Live the American Dream
Georgette Bennett’s new biography recounts the life of Gary ‘Pips’ Phillips, a bold charmer, who seduced his way to wartime safety.
By CARL ROLLYSON
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Mr. Rollyson is the author of The Life of William Faulkner and The Last Days of Sylvia Plath. He has published fourteen biographies and has written about biography for the Wall Street Journal, the Washington, Post, the San Francisco Chronicle, the New Criterion, and other publications.

Georgette Bennett’s new biography recounts the life of Gary ‘Pips’ Phillips, a bold charmer, who seduced his way to wartime safety.
By CARL ROLLYSON
||Culture

Two books illustrate the similarities betwen women welders in wartime and female stunt riders during Hollywood’s golden age.
By CARL ROLLYSON
||Culture

Gayle Feldman has produced a magisterial account of one of the great American publishers and the industry he built up.
By CARL ROLLYSON
||Culture

In reality, ‘La Dolce Vita’ star Anita Ekberg never fawned over men and punched them out when they got out of line.
By CARL ROLLYSON
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Kathleen Spaltro’s study of Ethel Barrymore speaks to the power of biography to possess an understanding not secured anywhere else.
By CARL ROLLYSON
||Culture

A new biography chronicles Elizabeth Jordan — reporter, novelist, women’s suffrage campaigner and lover of Frances Hodgson Burnett.
By CARL ROLLYSON
||Culture

William J. Mann’s new book is not merely about who murdered Elizabeth Short, but an inquiry into why we read biography,
By CARL ROLLYSON
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Rebecca West and Jessica Mitford had profoundly different ideas about society and economic redistribution.
By CARL ROLLYSON
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‘Judy Blume: A Life’ has generated controversy over what a biographer should include or exclude.
By CARL ROLLYSON
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As Jane Austen and Emily Brontë grow in popularity, two biographies look to the past to generate light.
By CARL ROLLYSON
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A new biography of Lauren Bacall captures the queenly actress but cannot penetrate her guardedness.
By CARL ROLLYSON
||Culture

In ‘The Trembling Hand’ Mathelinda Nabugodi declares a fascination with the Romantic Poets, but takes them to task for perpetuating a ‘white supremacist ethic.’
By CARL ROLLYSON
||Culture