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Recent Editorials |
Arts+"Renoir, Impressionism, and Full-Length Painting" By FRANKLIN EINSPRUCH An exhibition opened yesterday at The Frick Collection that studies Pierre-Auguste Renoir's uses of the full-length portrait format - all nine of them. "This is the first comprehensive study of the artist's engagement with the full-length format,"…
The Yale Center for British Art Re-Examines a British Master By FRANKLIN EINSPRUCH The Yale Center for British Art has set out to rehabilitate the reputation of Johann Zoffany, a German expatriate who became a member of the Royal Academy by appointment of King George III. One might argue that he isn’t better-known for fair reasons… Bill Scott at Hollis Taggart Galleries By FRANKLIN EINSPRUCH Bill Scott’s paintings have an atmosphere of ease, but consideration and reconsideration of beautiful form churn within them. Two or Three Nudes in a Landscape (2010) summarizes Scott’s endeavor, its delightful title alluding to an image that somehow… By FRANKLIN EINSPRUCH Start making your travel arrangements. One week from today will see the opening of a monographic exhibition of Claude Lorrain at the Städel Museum in Frankfurt. “'Claude Lorrain: The Enchanted Landscape' presents about one hundred and thirty works… Tad Wiley at George Lawson Gallery By FRANKLIN EINSPRUCH "The vellum support has been a perfect choice," explains Tad Wiley regarding his current exhibition, "in that its smooth surface allows the paint to sit right up on top. However the surface is not without 'tooth', which traps the more thinned out… Robert Sagerman at Margaret Thatcher Projects By FRANKLIN EINSPRUCH According to Margaret Thatcher Projects, “From the beginning of his attraction to abstract painting, an interest in its sensed metaphysical content guided and influenced Robert Sagerman,” who holds a PhD in Hebrew and Judaic Studies from New York…
By Last Chance to see "Last Paintings" "Joan Mitchell: The Last Paintings" closes today at Cheim and Read. The exhibition focuses on paintings she made from 1985 until her death in 1992. "Though Mitchell abstracted nature, gleaning only its essence, her advocacy for the natural world as a…
Pat Passlof at Elizabeth Harris By FRANKLIN EINSPRUCH A serious segment of the art world looked forward to the exhibition at Elizabeth Harris Gallery of paintings by Pat Passlof that opened November 19. The New York Times had just profiled her in October, detailing her efforts to maintain herself and her… George McNeil at Ameringer McEnery Yohe By FRANKLIN EINSPRUCH "George McNeil (1908-1995) had a career that spanned the entire postwar American art era," according to Ameringer McEnery Yohe, which is exhibiting a selection of the artist's work dating from 1957 to 1969. "McNeil attended Pratt Institute and the Art… "Matisse and the Model" Ends Tomorrow at Eykyn Maclean By FRANKLIN EINSPRUCH Today and tomorrow will be your last chances to see "Matisse and the Model" at Eykyn Maclean. "As Matisse noted in 1939," says the gallery, "he relied on his models to help him find expression for his shifting creative vision, and he looked upon them… Wendy Artin's Parthenon Friezes By FRANKLIN EINSPRUCH Wendy Artin's life-size watercolor interpretations of the Elgin Marbles are such extraordinary technical feats that my initial reaction to them, as a lesser practitioner of the medium, was gut-sinking envy. Typically, for this degree of realism, one…
Georges Braque at Acquavella Galleries By FRANKLIN EINSPRUCH "Best known as the co-founder of Cubism with Pablo Picasso and as the inventor of the papier collé technique, Georges Braque’s legacy is better understood in the context of his lasting influence on artists for the past century," says William… Audrey Ushenko Throws a Party at Denise Bibro Fine Art By FRANKLIN EINSPRUCH This evening there will be an opening reception at Denise Bibro Fine Art for an exhibition of new works by Audrey Ushenko, a widely exhibited member of the National Academy of Art in New York City. "As the title suggests, Ushenko’s uniquely rendered… By FRANKLIN EINSPRUCH RARE Gallery is displaying the transluscent, evocative paintings of Aaron Holz through Thursday of this week in an exhibition entitled "A Heart's Hot Shell." According to the gallery, "The title of the exhibition is taken from Chapter 41 of Herman… Graham Nickson at Knoedler & Company By FRANKLIN EINSPRUCH The current exhibition of Graham Nickson at Knoedler & Company brings together three bodies of the artist's work, according to the gallery. "The first, a group of early oils composed with frames hand-painted by the artist, most created in the environs… Vaulting the Gatekeepers on Governors Island By FRANKLIN EINSPRUCH The colossal success of Art Basel Miami Beach in 2002 caused a proliferation of art fairs over the years, and together they have permanently altered the way art is bought and sold. Many of these fairs struggle not to become duplicates of one another…
Maja Lisa Engelhardt at Elizabeth Harris Gallery By FRANKLIN EINSPRUCH Danish artist Maja Lisa Engelhardt is showing her interpretive landscapes, all entitled The Fourth Day, in an exhibition that opened last Thursday at Elizabeth Harris Gallery. "In view of my painterly way of expressing myself, The Fourth Day is a rare… Honoring Wounded Soldiers in a Bushwick Exhibition By FRANKLIN EINSPRUCH "9/11 did not end on 9/11. For American soldiers, 9/11 has been a decade-long day," says James Panero, noted art critic, Managing Editor of The New Criterion, and curator of "The Joe Bonham Project," currently on display at Storefront. "As of this…
By FRANKLIN EINSPRUCH The name of Lois Dodd has come up a few times in recent conversations with artists I respect. I finally got to see some of her work in person at a solo exhibition at Caldbeck Gallery in Rockland, Maine. I was expecting the sort of painter’s-painter… Elisabeth Condon at Lesley Heller Workspace By FRANKLIN EINSPRUCH Imagine if you could speak several languages, switching from one to another to suit your thoughts, inside of a single sentence. You might begin in English for the sake of clarity, then change to Chinese for an apt metaphor, then over to French for… By ERIC GELBER, Jane Fine’s Battlefield IV, (2004) is one of several striking works currently on view in MELT, at Skidmore’s Tang Art Museum, in Saratoga Springs, New York (Bernard Cohen, Salvador Dali, Mary Frank, Rico Lebrun, Charles Long, Alexander Ross, Dieter… Walter Darby Bannard and the Comics of George Herriman By FRANKLIN EINSPRUCH Conventional wisdom about Abstract Expressionism holds that it is concerned with pure essence of painting, excluding all content, referring only to its heroic self. As a practitioner, it’s a different story. One doesn’t worry about purity. One casts… Joan Marie Kelly depicts the real lives of women on the streets and brothels of Asia's cities By DAVID COHEN. Joan Marie Kelly, an American painter who lives and teaches in Singapore, opens a show of paintings Thursday night at New York’s Blue Mountain Gallery that defy expectations. She works strictly from the motif in a realist idiom, but she is drawn to… Separating the Goats from the Sheep Sculptural Installation in Fort Greene Park Inaugurates New Commissioning Prize for Emerging Artists By David Cohen Brooklyn’s Fort Greene Park has a group of new sculptures at its north-east entrance plaza. The two goats and a deer, works by young Scottish artist Ruth McKerrell (born 1983), inaugurate a significant annual prize for New York, the Clare Weiss… Contemporary Abstract Painting at Von Lintel By FRANKLIN EINSPRUCH A reception opens at 6 PM this evening at Von Lintel Gallery for "a group show of eight contemporary abstract artists who represent a diverse range of entry points into abstraction," according to the gallery. The artists included are Andrea Belag… Leon Kossoff at Mitchell-Innes & Nash By FRANKLIN EINSPRUCH Leon Kossoff’s paintings at Mitchell-Innes & Nash show the octogenarian British painter continuing to work in portraiture and landscape, with a brush loaded with oils as if they were tar, favoring a palette based on a sooty, British gray. In that… Anthony Caro on the Roof of the Met By FRANKLIN EINSPRUCH A couple of weeks ago your author noted that appreciation of the painter Jules Olitski has largely been conducted as a proxy war against the critic Clement Greenberg. You may have witnessed related hostilities in late April, when Ken Johnson wrote… Wolf Kahn at Ameringer McEnery Yohe By FRANKLIN EINSPRUCH Wolf Kahn, the celebrated landscape painter, has an exhibition of new work opening tomorrow evening at Ameringer McEnery Yohe. "The new paintings gathered in this exhibition continue to address elemental questions of space, shape and color with rigor… David Hornung at John Davis Gallery By FRANKLIN EINSPRUCH Yesterday, four solo exhibitions began at John Davis Gallery in Hudson. Notable among them is a display of new work by David Hornung, who writes, "These recent pictures, all made with gouache on handmade paper, were completed in the winter and spring… Art Inspired by Maine at Lohin Geduld Gallery By FRANKLIN EINSPRUCH "The craggy coastline and pristine woodlands of Maine have drawn artists to the northeast corner of the country for centuries," says Lohin Geduld gallery, whose exhibition, "Maine as Muse," starts today and opens tomorrow evening, 5-7 PM. "A rich…
Virva Hinnemo and George Negroponte at Kouros Gallery By FRANKLIN EINSPRUCH "Two artists in the same house make for a lot of regression," writes George Negroponte, whose solo exhibition upstairs at Kouros Gallery accompanies that of his wife, Virva Hinnemo, downstairs. "To some it may look predictably poetic, like two fried… Artist to Speak with Noted Critic David Cohen By FRANKLIN EINSPRUCH Tomorrow, 571 Projects will host a conversation between critic David Cohen and artist Leah Durner, whose abstract paintings are the subject of "Naked Color" at the gallery. Cohen, who produces Artcritical, has written of Durner, "[she] is an action…
Two Exhibitions of Conrad Marca-Relli By FRANKLIN EINSPRUCH Simultaneous exhibitions of Conrad Marca-Relli are taking place at the moment at Knoedler & Company and the Pollock-Krasner House and Study Center in East Hampton. The Boston-born artist, who died in 2000 in Parma, Italy, is associated with both New… Pivotal Paintings Appear at Ann Freedman's New Gallery By FRANKLIN EINSPRUCH The inaugural exhibition of FreemdanArt begins today with a series of large-scale paintings by Jules Olitski that until recently have been kept out of view. In 2009, Ann Freedman, then still president and director at Knoedler Gallery, approached the…
"A Stitch In Graft" at Ameringer McEnery Yohe By FRANKLIN EINSPRUCH “Paintings can unfold endlessly, both spatially and temporally, without constraints," says Iva Gueorguieva, whose works are currently on display at Ameringer McEnery Yohe. "They don’t have to stop or ever resolve." According to the gallery… Norman Bluhm at Loretta Howard Gallery By FRANKLIN EINSPRUCH "There is a supple gracefulness to Bluhm’s paintings that feels as choreographed and inevitable as Fred Astaire’s defiance of gravity," writes John Yau in the catalog for the exhibition of Norman Bluhm at Loretta Howard Gallery. "His hybrid forms… Picasso's Muse at Gagosian Gallery By FRANKLIN EINSPRUCH "In 1927, on a street in Paris, Picasso encountered the unassuming girl, just shy of eighteen years old, who would become his lover and one of modern art’s most famous muses," according to Gagosian Gallery, which has mounted an exhibition that focuses… Exhibition Pairs Soutine and Bacon By FRANKLIN EINSPRUCH An exhibition starting today at Helly Nahmad Gallery shows Chaim Soutine and Francis Bacon alongside one another, demonstrating the influence that the former had on the latter. "There are distinct links between the two painters: direct painting and…
Jane Freilicher at Tibor de Nagy By FRANKLIN EINSPRUCH Jane Freilicher commands unalloyed reverence from fellow painters. I learned from a gallery director at Tibor de Nagy, for instance, that Thomas Nozkowski, whose work featured in their recently concluded “Object/Image” show, expressed elation at being…
Vibrant Paintings at the Yeshiva University Museum By FRANKLIN EINSPRUCH “While Sam Borenstein is well-known in Montreal and across Canada, his artwork may come as a great revelation to many New Yorkers,” says Dr. Jacob Wisse, director of the Yeshiva University Museum. “In addition to its aesthetic merit, the exhibition…
By FRANKLIN EINSPRUCH While many contemporary artists consider the urban landscape, few are doing so with the craftsmanship and nuanced emotion of Matthew Daub. Joyce Carol Oates, in an introduction to the catalog of his current exhibition at ACA Galleries, writes, "His… Jasmina Danowski at Spanierman Modern By FRANKLIN EINSPRUCH Yesterday evening saw the opening of an exhibition of new abstract florals, or floral abstractions, by Jasmina Danowski at Spanierman Modern. According to the gallery, "Danowski's paintings carry reminiscences of nature and still life, but their force… Elisabeth Condon at Lesley Heller By FRANKLIN EINSPRUCH "Exploded pours of paint determine the initial compositions in my paintings," according to Elisabeth Condon, whose exhibition at Lesley Heller Workspace opens this evening, 6-8 PM. "To their improvisational shapes and translucent colors I add images…
Rooms with a View at the Metropolitan Museum of Art By FRANKLIN EINSPRUCH "During the Romantic era, the open window appeared either as the sole subject or the main feature in many pictures of interiors that were filled with a poetic play of light and perceptible silence," according to a statement from the Metropolitan… Jack Pierson and Elliott Puckette at Danziger Projects By FRANKLIN EINSPRUCH An exhibition currently on display at Danziger Projects shows work by two contrasting collagists, each with their own pictorial charms. "Based on the artists’ interest in the practice of …
By FRANKLIN EINSPRUCH This evening, 6-8 PM, an opening reception will take place for a promising exhibition that covers a generous, ambitious span of abstract painting. It includes prototypical examples like Josef Albers and Jackson Pollock, the West Coast giant John… Susanna Heller at John Davis Gallery By FRANKLIN EINSPRUCH Susanna Heller, a New York City native and Brooklyn resident, is exhibiting a recent series of fraught, encrusted, largely small-scale paintings that smolder with intensity and troubled reflection. "A painting, like a walk, connects the physical…
Jimbo Blachly's "Lanquidity" at Winkleman Gallery By FRANKLIN EINSPRUCH Jimbo Blachly has returned to painting after a 30-year hiatus, working in a manner informed by his employment in a conservation studio that brings him into close contact with twentieth century paintings. "Intimate, fragmentary, allusive, Blachly’s… Antonio Murado's Ophelia at Von Lintel By FRANKLIN EINSPRUCH "[Antonio] Murado is an extraordinarily versatile painter with a voracious and omnivorous appetite for source material," according to Von Lintel Gallery, where his paintings inspired by Shakespeare's Ophelia go on display in an exhibition opening… Sonia Delaunay at Cooper-Hewitt By FRANKLIN EINSPRUCH Sonia Delaunay was an active force in bringing the discoveries of Cubism and abstraction into the applied arts. “By showing her work at Cooper-Hewitt, the constant interplay between art and design will be strong and clear and by virtue of Delaunay’s…
"In the Grid" at Elizabeth Harris Gallery By FRANKLIN EINSPRUCH A senior figure in American abstraction, Thornton Willis is nearing his 75th birthday and painting at a high a level as ever. Working forward from a 2009 exhibition which saw him using a post-and-lintel formation to build his pictures, he has moved on… Christina Shurts at RARE Gallery By FRANKLIN EINSPRUCH Christina Shurts, who is already widely exhibited in California, will make her New York debut tomorrow at RARE Gallery. " The imagery in Shurts' paintings is derived from memories, relics of her childhood, personal photographs, decor magazines, and…
"Landscapes and Still Lifes: A Selection" at Gasser & Grunert By FRANKLIN EINSPRUCH Ellen Phelan is showing a suite of oil paintings at Gasser & Grunert that one might be tempted to call neo-Tonalist. Her soft, enveloping renderings of the Adirondack forests "capture a remarkable range of darkness and soft light, emotional high notes… Helen Frankenthaler at Knoedler & Company By FRANKLIN EINSPRUCH There are mere days left to investigate an intriguing exhibition at Knoedler & Company of works by Helen Frankenthaler that were inspired by Asian art. "Always one to set the bar high for herself, the artist is calling attention to her frank desire to…
Newly attributed portrait by Artemisia Gentileschi goes on view at Sperone Westwater By DAVID COHEN Think Bowery and it is either the New Museum or the Bowery Mission that likely springs to mind. But right now it is also the place to view something whose rarity and finesse belies both associations: a newly discovered portrait by the most famous… Marie-Louise von Motesiczky at Galerie St. Etienne By DAVID COHEN The final, short gallery-going week of the year is also New York’s last chance to catch a remarkable posthumous debut. Marie-Louise von Motesiczky, an artist who spent a long lifetime operating under the radar, is the subject of a comprehensive… A Beauty By Beckmann Stands Out Amidst The Throng On View At The Piers As Part Of The Armory Show By DAVID COHEN, On view through Sunday. New York also hosts the ADAA's Art Show, Volta, Pulse, Scope, Red Dot, The Independent and more. The city is awash with art. By DAVID COHEN Up at Columbia’s LeRoy Neiman Gallery MFA student Nora Griffin – well-known already downtown and before her enrollment as a writer on the Brooklyn Rail and an exhibiting artist – has organized and is taking part in a show of quirky, whimsical, often… New York debut of Rose Wylie, newly celebrated Brit By DAVID COHEN Most viewers of Rose Wylie’s show at Thomas Erben Gallery, titled “WHAT with WHAT”, would want to conclude that the rambunctious, street-smart brutalism on display there is the work of an inner city kid who has been introduced with reluctance to the… Annabeth Rosen's ceramics in a late and startling debut at Chelsea's Meulensteen By DAVID COHEN Annabeth Rosen is not just holder of the Robert Arneson Endowed Chair at the University of California Davis in name but truly in spirit as well, extending the legacy of the legendary Arneson in a quest for fully sculptural expression through ceramic… Connie Fox's latest show, titled Sammy's Beach, opens in the Hamptons this weekend By DAVID COHEN Connie Fox, for thirty years and counting a year-round veteran of the legendary East Hampton art community, has been the subject of over sixty shows across a distinguished career, but is still what you'd have to call a painter's painter. Her quirky… Simon Gaon's Small Portraits on show at AFP Galleries, New York By DAVID COHEN Simon Gaon is a straight-up expressionist. He conveys rich, strong feelings about his surroundings, insisting on directness both of application and observation. New York born and trained, his style and sensibility are nonetheless directly European…
By BRENDAN BERNHARD It was the Spanish philosopher Ortega y Gasset who in 1930 described in calm, lapidary prose the sheer press of modern life: “Towns are full of people, houses full of tenants, hotels full of guests, trains full of travelers, cafes full of customers… James Hyde at Pierogi 2000 Boiler Room By DAVID COHEN The Stuart Davis Group are high jinks riffs on that jazzy pioneer's painterly syncopations. Christopher Cook's mysteries in liquid graphite up through Saturday at Mary Ryan Gallery By DAVID COHEN British artist Christopher Cook's third solo show with Mary Ryan Gallery is titled "Concrete Firmament". His motif of freeway tunnels and his medium of liquid graphite on aluminum are exquisitely matched. The images are slippery, elusive, almost sly… By DAVID COHEN By the time Stalin coined the phrase “engineer of the soul” to describe the ideal Soviet artist his regime had already crushed the visionary Russian art movement to which the term would actually have been applicable: Constructivism. The suppressed impulse of Tatlin’s Monument to the Third International enjoyed an unlikely afterlife, however, in the career of a Shanghai-born, California-raised Italian-American abstractionist. By DAVID COHEN It is little surprise that the debut art exhibition of septuagenarian poet John Giorno should be “in your face.” An inveterate experimenter with new formats for poetry performance, Giorno pioneered what he called “Electronic Sensory Poetry Environments" in response to the work of Robert Rauschenberg, and then honed his performance technique from visits to rock venues in the company of William S. Burroughs. By DAVID COHEN As the judiciously selected and stunningly installed exhibition at Tate Britain demonstrates, the 1930s were Henry Moore’s most fecund and innovative period of sculptural experimentation, confirming him as a leader of the modern movement in Britain. The outbreak of the Second World War, however, saw abrupt changes in output and outlook alike. By DAVID COHEN According to Alex Katz, speaking publicly at London’s National Portrait Gallery on Friday with Nation art critic Barry Schwabsky and the Gallery’s director, Sandy Nairne, Americans size up someone immediately by their clothes and their haircut. (For Brits, by contrast, it is accent that determines class, and for the French, sentence structure.) He insists his portraits, like all his work, contains all the information in its surface, and that he has no interest in psychology. By DAVID COHEN Some think of Tel Aviv in relation to Israel as being like New York in America, the deliciously decadent heart of an otherwise puritanical land. Philip Pearlstein’s lithograph of a model seated amidst weathervanes is the suitably chaste yet ravishing Gala Print for the American Friends of the Tel Aviv Museum of Art’s big New York fundraiser taking place Thursday at the Metropolitan Club. By DAVID COHEN The streaming, fluttering cardinal red forms of Russell Roberts’ Talking Engines of Our Day #5, 2005, are at once redolent of flags and limbs. They are strident against a dense moiré of textured ground yet also vulnerable, both in their tapering irregularity and their propensity to allow the ambiguous space behind to peep through their thin, veiling strokes.
Sebastiaan Bremer at Edwynn Houk Gallery By FRANKLIN EINSPRUCH Sebastiaan Bremer draws in inks and dyes upon photographic mashups of his own creation. The results are hallucinatory, vaguely Victorian, erotic, and caliginous. "Utilizing the artist’s signature style of obsessively applied dots of paint onto a… The Exuberant Sculptures of Joan Bankemper at Nancy Hoffman Gallery By DAVID COHEN If the souls of crockery and tchochkes are destined for divine judgement then a well-behaved tea platter, ornament or china centerpiece equivalent of dying and going to heaven would be to end up in a sculpture by Joan Bankemper. "Sojourn" currently on… Le Tableau, Curated by Joe Fyfe, at Cheim & Read Gallery, New York By DAVID COHEN Joe Fyfe, a painter known for his stark, almost belligerently informal abstraction, is also a critic and curator. In “Le Tableau,” a geographically and historically wide-angled summer group exhibition at Chelsea’s Cheim & Read Gallery that he has…
Jazz ›
 By WILL FRIEDWALD, Considering that his day job consists of helping other people make their own music – for nearly 50 years he's been one of the busiest bass players in New York – the songs of Jay Leonhart are amazingly personal. Mr. Leonhart has launched what might be his most ambitious venture as a bandleader and star, taking his own trio (with trumpeter Michael Leonhart, and his son, pianist Ted Rosenthal) into the Metropolitan Room for a month of Wednesdays. Jazz DVDs Invite You To Watch and Learn Eri Yamamoto Finds the Keys to the City Ahmad Jamal Strikes Up the Orchestra Raising Jazz's Unimpeachable Spirit
Books ›
Remembering the Reporter Who Inspired 'On the Waterfront' By SAUL ROSENBERG In May 1948, in a scene that might have come from a gangster movie, a man leapt out of a sedan and fired seven shots at a stevedore named Tom Collentine, three into his prostrate body. As had become routine in previous decades, most New York papers… How Quest for American Dominance Drove Roosevelt, Eisenhower By SAUL ROSENBERG Delivering a magisterial account of Franklin Roosevelt’s and Dwight Eisenhower’s roles in World War II, situated within their separate lives and presidencies, may seem an outright impossibility in the space of 100 pages. Yet it is what Philip Terzian has done in Architects of Power: Roosevelt, Eisenhower, and the American Century. A Towering Spiritual Leader Finds His Biographers, At Last By SAUL ROSENBERG Menachem Mendel Schneerson is the subject of an important new biography by Samuel Heilman and Menachem Friedman, professors at City University and Israel’s Bar Ilan respectively. They describe how Menachem Mendel partially separated himself from Chabad as a Parisian engineer, returning to the fold in flight from the Nazis, shortly afterwards to emerge as Chabad’s undisputed spiritual leader. Greece in the Shadow of the Nazis By SAUL ROSENBERG In the most common type of thriller – conservatively, 99 examples out of 100 – a protagonist pieces together puzzling events until the dastardly plans of an antagonist are discovered – and there ensues a game of cat and mouse, or a race against time, so that the good guy(s) can defuse the bomb, or stop the speeding bus, or whatever, five seconds before the world explodes. By SAUL ROSENBERG Christopher Hitchens is prolific indeed. Now, after books on a dozen subjects from Cyprus to Jefferson, Paine, and, most recently, the general badness of religion, he turns his attention inwards in Hitch-22, named for the paradoxical style of Catch-22. Hitch-22’s chief paradox is that of simultaneously maintaining against militant Islamic absolutists and Western relativists that “there is no totalitarian solution while also insisting that, yes, we on our side also have unalterable convictions and are willing to fight for them.” Trading Places: ‘Famous Amis’ Runs Into ‘Hitch-22’ By BRENDAN BERNHARD, By Saul Rosenberg, American public anger at its financial system has perhaps not run higher in almost a century. Banks are booking record profits while the American consumer on the other end of what was a shared crisis just a year go continues to struggle. Curiously, at about the same time 1st quarter results came out, two volumes at once very different and very much to the point were reissued to little notice on the same day by General Books, a club that republishes classics... All Alone: Two New Books on Loneliness Jonathan Ames Gets Real in a Graphic Novel Drowning in the Desert: Miriam Toews's 'The Flying Troutmans'
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